Woolley House is a heritage-listed residence located at 34 Bullecourt Avenue, Mosman, in the Mosman Council local government area of New South Wales, Australia. It was designed by Ken Woolley and built during 1962 by Pettit, Sevitt and Partners. It was added to the New South Wales State Heritage Register on 25 May 2001. The Woolley House is considered a classic example of the Sydney School style of architecture and was the recipient of the Australian Institute of Architects NSW Chapter Wilkinson Award in the year of its construction, the highest award for housing in New South Wales. In 2016 the house was bequeathed to the University of NSW. In 2022 the house was awarded the National Award for Enduring Architecture by the AIA.
11 Bickell Road is an attractive two-storey Federation bungalow on a large sloping, sandstone terraced site which has been densely planted over much of the 20th century. In the 1950s this large garden won prizes. Late in the 20th century a swimming pool and tennis court replaced some of the lower garden near Bay Street. Jacaranda ( J.mimosifolia), Sydney red gum ( Angophora costata) and sweet gum ( Liquidambar styraciflua) and dawn redwood ( Metasequoia glyptostroboides) are among the mature trees on this site. The steeper section at the north/rear was more natural with some large Sydney red gums and regrowth on it. It is this latter section which was subdivided off to create the Woolley House's lot in 1958.
The Woolley House is an example of Ken Woolley's early work before joining Ancher, Mortlock and Murray in 1964. Woolley designed the State Office Block for the NSW Government Architect's Office, as well as Fisher Library at the University of Sydney.
At the time of the house's construction, Sydney had been developed to certain boundaries and most of the flat building sites had been exhausted. Developers therefore set their sights on land previously considered unfit for building (such as the steep bushland on which the Woolley House is built). A new house type that accepted that the land sloped was required for such sites. The split level form minimised the amount of excavation and filling that was required for construction.
This requirement led to amazingly spatially dynamic forms, space vertically through the interiors as well as horizontally. Internal spaces were staggered, a unique approach, and stepped down the sites so that sightlines could angle down and views could be achieved from remote areas of the house. Materials often used were quarry tiles, Thuja plicata boarding and panelling, clinker or sandstock bricks, polished timber floors, sawn and unfinished timbers. Colour schemes were typically neutral internally to allow the materials and spaces to speak for themselves.
Living spaces were generally open plan, connected but articulated by changes of ceiling height, changes of direction and screening with fittings or elements of the plan. The clever and complex manipulation of space meant that floor areas could be tight while maximising the feeling of space in the house. Visual separation was often achieved by arranging lines of sight to wholly or partially conceal some views (such as views of the kitchen from the living area). Decks and terraces which opened the interior to the exterior were common. Small bedrooms were generally chosen to allow living areas to be maximised.
This style of house became known as the Sydney School, and was used across Australia, but predominantly along the eastern seaboard, mainly around Sydney. This style offered charming and intimate spaces, beautifully crafted with naturally finished materials. It really only became possible at the end of the 1950s to use more interesting building materials as war time difficulties were at an end. Clinker bricks were imperfect and suited the aesthetic of the Sydney School, which was in part a revisiting of the Californian Bungalow aesthetic.
The design ideas were quite radical in one way, but the scale of the spaces and the palate of materials was very warm and human. The Woolley house and the other examples at the time were highly influential and affected the designs of many other contemporary houses, both one-off designs and, more directly, the project homes Ken Woolley went on to design for progressive housing developers, Pettit and Sevitt.
The stone retaining walls in the steep and undulating garden were laid by landscape architect Bruce McKenzie who also did some planting. McKenzie was a pioneer among early landscape practitioners of what would become known as the Sydney school, seeking to enhance Sydney's bush, bring it into gardens or bolster its condition in new development. He would go on to many large public jobs such as the UTS Lindfield / Ku-Ring-Gai campus (former Lindfield TAFE NSW), Botany Bay Foreshore Reserve and others. Examples of McKenzie's private garden work are rare.pers.comm., Ken Woolley; Stuart Read, 13/10/11
The current owners bought the house in 1985 and have retained the bush setting, encouraging regeneration of native species.
In 2014 a plaque was placed on the house, below its Wilkinson Award plaque, to commemorate former owner Yuana Hesketh who lived here from 1985 until 2014, and created the garden as it is now and was devoted to the ongoing conservation of the house. In 2016 the owner Stephen Kenneth Hesketh bequeathed the property to the University of New South Wales to be used as a residence for visiting academics.
A key part of the heritage values of the Woolley House as a Sydney School house and garden is its sloping, bush covered, i.e.: treed site, and its informality, it appearing almost as if the house has been "dropped down into" a natural bush setting. To some degree the current natural appearance is the result of Woolley's neglect of the block and natural or bird-induced seed regeneration. To some degree it is due to sympathetic current owners having planted native species and nurtured a sympathetic "bush" setting, albeit with some exotic shade-loving plants such as Begonia spp.
The site is full of winding paths, small and some larger stone . Some of these were built by landscape architect Bruce McKenzie, working with Woolley at the time of construction. These and some early plantings McKenzie made, are rare examples of a private job: McKenzie is better known for his large public projects (pers.comm., Ken Woolley; Stuart Read, 13/10/11).
A geometric discipline was imposed on the plan, the basis of the which is a series of units, several of which combine to form the main central space. The main bedroom, bathroom and kitchen units open from this central space.
The individual units step sideways and downwards across the slope and the roof sections follow, creating narrow rooflights which serve to make the roof float over the living areas.
Each unit steps aside (one third its width) to follow the contours of the land, and the same proportion is used to separate the units vertically.
The building's external walls, and several internal walls (which create screens and which divide the flowing interior) are of clinker brick. The palate of materials is kept to a minimum and was selected to define the individual elements of the structure and its infill. Internally, the structural frame of sawn hemlock is visible. Infill panels are of oiled tallowwood.
Ventilation is provided by the means of solid timber panels which have insect screens fitted externally. The concrete floors were originally covered with cork and matting. The cork remains, but the matting has been replaced with carpet.
Woolley House was listed on the New South Wales State Heritage Register on 25 May 2001 having satisfied the following criteria.
The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales.
The Woolley House is an early and classic example of the Sydney School, a movement which was emerging at the time of the building's construction.
The building has a strong association with Ken Woolley and is a very important example of his early work, demonstrating his young and idealistic vision. It is an example of Ken Woolley's early work before joining Ancher, Mortlock and Murray in 1964. The site is also a rare example of the garden design (private v public) of landscape architect Bruce McKenzie, a key practitioner in the Sydney School of landscape architecture of that era.
The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history.
The site has strong associations with architect Ken Woolley and landscape architect Bruce McKenzie
The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales.
The house was a prototype that crystallised theories which were developing at the time. It was soon discovered that it was a style that could be mass-produced as it was modular, economic and honest in its use and expression of materials, in that it didn't rely on covering up the construction which made economic as well as aesthetic sense.
The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales.
The Woolley House has a high degree of technical / research significance because of the fine-detailing and techniques used in its construction.
The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales.
The house is one of a small group of "one off" designs for "Sydney School" houses by Ken Woolley. It is also a rare example of the private garden design and construction work of landscape architect Bruce McKenzie, better known for large public projects.
The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales.
The house is highly representative of the Sydney School in domestic architecture and landscape architecture, popular during the 1960s and 1970s.
The award recognises the contribution of the house to Australian architecture, the Sydney School of architecture and influence on generations of architects since.
Description
Site
House
Condition
Modifications and dates
Heritage listing
Recognition
Wilkinson Award, 1962
Enduring Architecture Award, 2022
See also
Bibliography
Attribution
External links
|
|